Willis wants to teach her students about modern art, which angers the faculty, and only increases her resolve to do so. Bill Dunbar, Italian teacher and eventual love interest, encourages her to work within the system, but Willis doesn't listen. Director Mike Newell wants this to be an inspirational weepy, but that's hard to do when the film is bereft of any genuine emotion. Everybody is just going through the motions, doing what screenwriters Lawrence Konner and Mark Rosenthal require them to do. They do have somewhat of a difficult job to do. It's important to remember that although this takes place in the recent past , views on a woman's place were extremely different. Somehow, Konner and Rosenthal need to have people relate to the ideas that most of the characters in the film believe in.
A great issues that highlighted by 3 men had made people were to see a great feminism and challenged face by woman those day. Somehow it open up my eyes to put myself in their shoes "at that time" only....to me..they are so tough...
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